The Word | RA 1.2
In 1994, Ra Uru Hu published a collection of graphics and keynotes he called “Rave Anatomy: Mapping the Mechanics of the Maia”. In 2007, he updated the graphics and recorded 11 lectures. These lectures provide a deep exploration of the BodyGraph’s infrastructure: Gates, Channels, Streams and Circuitry, investigating surface mechanics against the backdrop of their underlying architecture. You are viewing Lesson 2 of Rave Anatomy 1:
The hub of the BodyGraph as the Center of manifestation is the Throat Center, and all of its 11 Gates are connected to the voice. The dominant way in which we are intended to speak is through those Throat Gates that are defined in our Design. It is essential for each of us to understand where our voice comes from in order to be aware of the keys indicated by the frequency and quality of the voice. Ra explores the difference between open and defined Throats, and how the defined Throat can get locked in and influence us through not-self strategies.
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Description
In 1994, Ra Uru Hu published a collection of graphics and keynotes he called “Rave Anatomy: Mapping the Mechanics of the Maia”. In 2007, he updated the graphics and recorded 11 lectures. These lectures provide a deep exploration of the BodyGraph’s infrastructure: Gates, Channels, Streams and Circuitry, investigating surface mechanics against the backdrop of their underlying architecture. You are viewing Lesson 2 of Rave Anatomy 1:
The hub of the BodyGraph as the Center of manifestation is the Throat Center, and all of its 11 Gates are connected to the voice. The dominant way in which we are intended to speak is through those Throat Gates that are defined in our Design. It is essential for each of us to understand where our voice comes from in order to be aware of the keys indicated by the frequency and quality of the voice. Ra explores the difference between open and defined Throats, and how the defined Throat can get locked in and influence us through not-self strategies.
